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Archive for the ‘creativity’ Category

At this point in the summer, writers face a decision. How will you make the most of the time left this summer?

And what happens when you ask yourself that question? Do you check your calendar and start to feel a bit of panic when you see that you’re overbooked with meetings and trips and projects, not to mention the promises you have made to your family?  Do you sink into a lethargic trance when you realize what little time you have for yourself?

Or—and this is the best choice— do you decide that your writing will be a priority, starting now, and you pat yourself on the back for thinking to check your calendar?

Boot Camp—a writer’s space

After my midsummer vacation, I started receiving many emails from people about Boot Camp, which is one of the coaching services I offer writers.

It is a short-term coaching service and comes with day-by-day support, and a gentle push for the writer to move forward at a faster clip than you might ordinarily produce text.  Boot Camp can definitely help you to make the most of the time available.

Work closely with your dissertation coach

During Boot Camp, I work closely with you. Part of your commitment is to keep a daily log/journal confirming that you did or did not meet your original goal for the day and how you dealt with a need to change your goal, as well as focusing on the coming day– when you will write, where you will write, and what will be your specific writing goals.  I ask that you share that log/journal post in an email to me.

A benefit of Boot Camp is that you draw boundaries around you and your work. You give yourself permission to pull away from the hub-bub of your usual life as much as you can. You shelter yourself from the pressures and distractions that had been partly responsible for your not writing up til now.

Insights and practices

In Boot Camp, clients notice what works well for them, and they adopt new strategies for greater productivity.

My clients tell me of the many insights and practices that have helped them and that they continue to use, such as:

–Don’t think too far ahead; work with what is coming up for you.

–Take time off to play, go for a walk, leave your work behind, and let your mind wander.

–Be patient with yourself and don’t rush to label a work session or an idea as a failure; you may surprise yourself after going for a walk or taking a nap how your so-called failure now yields something interesting.

–Give yourself permission to come up with new ideas.  Be open to a-ha moments.

–Don’t expect this to be easy.

–Don’t be afraid of a little discomfort.

Stick with the process

Boot Camp keeps you in the process. It helps you to stick with the work during the down days when you cannot see what you are doing or where this is going. Then, often, it takes you to a surprising place, and you see yourself rise from the uncertainty that only a short time before had made you think your project was hopeless.

And what a joy that is to see, both for the writer and for me!

Boot Camp could be the very best part of your summer.

Good summer writing days,

Nancy

Nancy Whichard, Ph.D., PCC

Your International Dissertation Coach and Academic Career Coach

www.nancywhichard.com

nancy @ nancywhichard. com

 

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Happy Fourth of July! It’s time again for the Annual Summer Road Trip. Get out on the road and put your writing on hold.

At one time or another, we all say that we wish we had more time, but when you come right down to it, do you really want to spend more time working?  What is it that you most like to do with your time?  I think that putting aside your work and spending time with family, especially on a holiday weekend,  is time well spent.  And time away from your work can yield dividends when you return to your writing.

The traffic around the Fourth of July is always awful.  As much as I love my adopted state of Virginia, I really hate being stuck in traffic in Virginia.

Most road trips I have been on over the last few years either start or end with our creeping along Interstate 95 and our wishing and hoping that the traffic would ease soon. Road trips are not what they used to be. That is, not unless you get far away from Interstate 95 that runs north and south along the East Coast of the U.S.

Many of the people most important to me live west of Washington, D.C. by several hundred miles. While my adult children are on the East Coast, most of the rest of my family live in the Midwest.  And many of my husband’s family members live in North Carolina.

A long-time tradition among one side of my husband’s family is to meet in Western North Carolina during the week of the Fourth of July.

During the early part of the week of the Fourth, we drive south from Washington on Interstate 95 to I-85 in North Carolina and then west on I-40.  And we just keep going, past Asheville, North Carolina; past Franklin, over three more mountains, and on to the little North Carolina town where my husband’s cousins gather every Fourth.

The small town was very isolated when my husband’s mother lived there as a child, but now good roads are plentiful, allowing for tourists and family alike to visit.

We gather at a cousin’s house on the lake, and catch up on the family news. We swap stories and cook food on the grill, but mostly we watch the little ones play in the sand pile or bob around on rafts in the lake. We marvel over the good health of the child who had been seriously ill, and we play (or watch) a marathon volley ball game.

 

The scenery and the family are worth the effort needed to get there, as well as any loss of time on my writing and other work. In fact, all of our our writing can benefit from our stepping away.

We will have a respite from the isolation of writing, and we can also recharge our creativity.  There’s no place better to be lost in the moment and to stare into space than at a mountain lake.

If the Fourth is a holiday for you, I hope you can put your writing on hold and join others to celebrate, relax, and recharge.

Happy Fourth of July,

Nancy

Nancy Whichard, Ph.D., PCC
www.nancywhichard.com

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You are trying to make progress on your dissertation, as well as fulfill the responsibilities of your job. Add to that a family, and even if you have help with your children, sometimes it seems as if you’re walking on a high-wire without a net.

Most of the time, despite the odds, you keep all systems going, but then, with no warning, you’re knocked off-balance. You didn’t see it coming and had no time to ward it off. You miss an appointment, or you forget a commitment.  And you feel that you have failed. The question is how do you choose to view this failure?

Failure

In his book Smart Change, University of Texas Professor Art Markman reminds us that “despite the many successes you have had in your life, you have failed at lots of things as well.”  “Failure,” he says, “is not inherently a problem.”

A Dissertation Boot Camp client was doing spectacularly well in meeting her commitment to write every morning. My client routinely got up early to go to her writer’s location and wrote until she had to go to her day job. Her husband took over getting the children off to school. All was going well until one morning one of the sons at the last moment remembered a letter he needed to have that day, and so he dashed it off and rushed out the door.

The letter was a last-minute request to try out for a sports team. The problem was that the boy left out some key ideas that would have ensured his being considered for the try-out.  When my client came home and realized what had happened, she felt that her careful plan for balancing her family needs with writing her dissertation had fallen through.

My client blamed herself for forgetting to help her son complete the task ahead of time, and she saw the situation as her failure.

In your balancing act, there is the occasional wobble, or failure, but it isn’t necessarily a setback.  Professor Markman would say that this failure was not a problem since such things did not happen routinely.  Furthermore, he would say that this situation showed that my client was allowing her writing to take precedence, which spoke to her commitment.  That is important.

It is important that you continue to let your writing take precedence,  and keep going.

Rising from failure

In The Rise: Creativity, The Gift of Failure, and the Search for Mastery Sarah Lewis addresses the role of failure in one’s life, particularly in the lives of people who used their failure to give rise to greater creativity or to a transformation.

She contends that “the word failure is imperfect” because when we “are ready to talk about it, we often call the event something else.” That is, the failure may have cleared the way for a new idea.

Grit and achievement

The title of the last chapter in Lewis’s book is “The Grit of the Arts,” in which she links creativity, failure, and discovery to Angela Lee Duckworth‘s research on grit. Failure can fuel us to work harder and to see a situation in a new light, and grit gives us the ability to withstand the discomfort and to tolerate the need to return day after day to hard work. Duckworth says, “I think in life, most people are giving up too early.”

Duckworth argues that a person’s returning to hard work, again and again, no matter how uncomfortable that work is, makes all the difference in what a person achieves.

 

Working hard consistently on the dissertation

In The Rise, Lewis describes Angela Lee Duckworth as a fast-thinker and fast-talker. Positive psychologist Martin Seligman of the University of Pennsylvania describes Duckworth as “about as fast mentally as it is possible for a human being to be.”

Interestingly, Duckworth, whose research is about keeping people on task and helping them not give up so soon, found that she had great difficulty herself in sticking with her dissertation.  Because writing a dissertation is a slow, and, sad to say, often tedious process, the pace did not mesh with her quick way of working and her mindset.

She was ready to walk away from her dissertation and the doctoral degree.  But she did not because, in part, she had given her husband the job of holding her accountable, and he reminded her that she had chosen this path. She says,” I realized that working hard is not enough.  I needed to work hard consistently on a given path to accomplish anything.”

Art Markman, Sarah Lewis, and Angela Lee Duckworth would probably all praise my client for continuing to write each morning, for letting her writing take precedence, and for arranging with her husband to get the children off to school, even though my client might on occasion experience some kind of failure. For anyone who wants to finish a dissertation, working hard is not enough; one must surrender to the need to “stay in an uncomfortable place, work hard to improve, and to do it again and again.”  That’s grit.  Grit is also “connected to how we respond to so-called failure, about whether we see it as a comment on our identity or merely as information that may help us improve.”

When you’re on that high-wire of balancing your dissertation with your work and family, know that you can tolerate the discomfort of returning over and over to hard work and that a so-called failure can clear the way to a better idea for going forward. Indeed, grit can see you through to solid ground.

Any thoughts?  I would love to hear from you.

All good wishes,

Nancy

Nancy Whichard, Ph.D., PCC
Your Dissertation Coach and Academic Career Coach
http://www.nancywhichard.com
nancy @ nancywhichard.com

 

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I am sharing a post “BOCCI AND DANCING EGRETS: AN INVITATION TO PLAY” that was written by the versatile, talented life/business coach Mary Crow.

Creativity helps us solve problems, achieve life balance, and come up with great inventions. You are much more likely to be creative when you are experiencing positive emotions. To experience a transformative positive emotion, Mary challenges you to be alive to the changing views of spring—those you see as you commute to work—and to engage in a playful moment. Then expect not only a boost to your mood, but also a surge in your creativity.

Are you curious how the triad coaching of creativity/wellness/business could transform your life? Contact Mary.

Passion + Persistence Coaching

I am loving that the long-awaited spring has finally returned.  NYC and Newark, like much of the country, had a particularly harsh winter.  We had our highest bill ever for the gas heating.  It was a chilly and long, if beautiful and snowy, winter.

A few clear signs that spring has arrived:  I see an occasional egret, its snowy-white body with a long neck and beak, in the Meadowlands of NJ from the train.  The cherry blossoms are (finally) beginning to bloom.  Independence Park across the street is teeming with people playing catch, shooting hoops, and–most notably–there are usually three or four soccer games going on simultaneously.

A new sign of spring this year–bocci games in the park.  Several of us use a site called Nextdoor to share local happenings, and I was delighted to see an open invitation on the site to come play bocci on the weekend.

You may ask, what do…

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I was poking around  the internet, seeing what peeps are suggesting about techniques to gather ideas. Lucky me– I came upon a discussion in answer to the question “What is the best way to gather good ideas?”

And, for a bonus, the discussants are IT people. Given the innovation and productivity within IT, some of their approaches are applicable to our work as writers. 

One response struck me because of the writer’s belief that the “brain works in the most amusing of ways.”  

The writer says that to gather good ideas she reads lots of texts and envisions “what if” situations.  She writes down ideas that she gathers through “what if’ing” and through brainstorming.

Then she sleeps on it to give her brain some down time to process and play with her ideas.

The sleeping on it also allows her to keep from being bogged down in the details. 

The next day she writes more, based on what her rested brain gives her, organizes the ideas, and adds a bit of “dressing.”

I have increasingly come to believe that a tired brain gives tired ideas.  Many people are stuck in the days of all-nighters and think they can soldier through and produce a great text at 4 am. 

Give your brain the opportunity to work in its amusing way. Sleep on it and come back to your work the next morning.

 

 

 

 

 

 

 

 

 

How do you gather good ideas?  I’d love to hear from you.

Nancy

Nancy Whichard, Ph.D., PCC
Your International Dissertation Coach and Academic Career Coach
www.smarttipsforwriters.com
www.nancywhichard.com
nancy @ nancywhichard.com

 

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“The idea for this post hit me today when I was at the gym, sweating profusely,” writes Larry Brooks in a blog post called “Blood, Sweat and Words: How Badly Do You Want This?”

As I read his guest post on the blog “Write To Done,” I was reminded once again with how often we hear about the connection between mind and body.

Brooks continues, “There’s something about taking yourself to the wall, to the point of the sweet pain that signals you’ve given it everything. Kinesiologists will tell you that’s an endorphin high. Nothing but bio-chemicals kicking in. Funny thing about bio-chemicals, though: they can take you to places you wouldn’t go otherwise.”

“I realized that I have, on occasion, experienced that same exhilarating high about my writing. And then, between sets on a machine inspired by something out of a medieval dungeon, it hit me: I don’t do that enough. I couldn’t wait to get home and start writing this post,” Brooks writes.

A feeling similar to what Brooks describes struck me this morning, though I wasn’t feeling the “sweet pain” Brooks mentions nor was I in anything remotely related to a dungeon.  In my aerobics class, moving to the rhythm of such music as the great ‘70s hit “I Will Survive,” I once again found myself in a moment when my mind was on its own.  With no prompting, no worrying, I was suddenly thinking through a bit of writing I had been wrestling with. 

This afternoon I asked a dissertation coaching client if she could recall a time when ideas about her writing had come to her with no bidding, no prodding when she was exercising or, perhaps, taking a walk.  In a slightly surprised voice, she said, “I’ve never thought about that.”  Then she said, “But it’s hard to write when I’m in a grumpy mood.”

Award-winning Irish novelist Michael Collins combines exercise and writing in a spectacular way.  A serious runner, he runs races in mountains, hills, and the desert.  When he trains, he always brings along a pencil and paper and will stop to write down a few words that will inspire him when he’s writing and resting later that day.  He says that starting to write a book in his mind while he is running “has always been the most natural process.”  Having the “release of endorphins [as he runs] frees up ideas.”

Almost any kind of exercise will elevate your mood and create the perfect circumstance for you to become aware of ideas about your writing that your mind has been working on.

If you can go straight to your computer or desk after exercising, you will very likely find that writing will be easier for you then than at other times during your day. And it is always easier to write when you’re in a good mood and when you’ve been thinking about ideas for your writing.

Have you ever had a breakthrough in your writing as a result of exercising?   I’d love to hear from you. 

Watch your email for the February edition of my newsletter—Smart Tips for Writers. If you aren’t receiving my newsletter, you can sign up on my website (www.nancywhichard.com).

All good wishes,

Nancy

Nancy Whichard, Ph.D., PCC
Your International Dissertation Coach and Academic Career Coach
www.dissertationbootcamp.net

www.usingyourstrengths.com

www.smarttipsforwriters.com

nancy @ nancywhichard.com

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Six degrees of separation: Artistic visualization.

Image via Wikipedia

 

“I’ve had very little, if any, support from my advisor or my committee,” and so began another coaching call this morning with the writer of a dissertation. 

Many dissertation coaching clients say that their advisors are hands-off, giving little or no substantive feedback, or not wanting to see a dissertation at all until it’s complete. 

Does this sound familiar?  Do you feel you’ve depleted your resources, and you need some content-specific help? 

What to do? Here are some ideas from some of my coaching colleagues and also from some of my clients. 

1.  You shouldn’t have to look outside your program for content-specific help.  If you have a coach, one of your coaching goals could be improving communication with your advisor (or someone else on your committee) who has the relevant background knowledge. Work with your coach to plan your strategy. 

2. If you can think of someone who might know someone who can get you closer to a source, you will eventually succeed.  Think about Stanley Milgram‘s Small World experiment (which inspired the Six Degrees of Separation book and movie.) 

3. Post a question on Linked-In or make up your own study group. 

4.  Engage a willing friend, colleague, or coach to read some of your text and ask you questions about what’s going on.  Tell your reader to be curious.  You want a naïve reader, not a critical expert. The right questions can help you move toward a breakthrough. 

5.  Take a class!  
As a client phrased it, “Make your own Woody Allen moment—here comes the director onto the stage.”  Figure out who could be your Woody Allen. Who is the person you most want to learn from? Then sign up for a class from that person, and write the paper for the class.  

If your project has stalled and your advisor offers minimal to no support, you need a strategy. Think Small World.  Or make your own Woody Allen moment.  

Above all, prepare for a breakthrough. 

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Have you heard of a “showrunner”?

Writers in the TV industry are now expected also to manage—or to have the skills and strengths that would allow them to manage.

According to John Wells, Writers Guild of America West president and writer/producer of E.R., Third Watch, and West Wing, it is almost impossible to be just a writer anymore in television.

Instead of “head writer,” the path for the writer is to control the material and make decisions, thus be a  “showrunner.”

Similar to the showrunner, you are managing your career, and an important step on the ladder of your academic career is writing the dissertation. How are you managing the important project of writing your dissertation?  When will you close and deliver the project?

To deliver the dissertation:

1. Use the process and mindset of a showrunner/ Project Manager.
2. Exercise the strengths and skills of a showrunner/ Project Manager.

What strengths do you think an effective showrunner/ Project  Manager has?

Consider these:

1.  Leadership
2.  Judgment and critical thinking
3.  Self-control/self-discipline
4.  Diligence and perseverance
5.  Creativity and ingenuity

What happens if you look at  your dissertation project through the lens of leadership?

A showrunner/Project Manager has the job of  providing leadership in these areas:

1.  Planning
2.  Scheduling
3.  Organizing and holding to a timeline
4.  Collaborating with team members
5.  Working with superiors/bosses
6.  Managing a budget
7.  Closing the project

How can you encourage and motivate yourself to get things done?  How can you organize tasks to make following through more of a given?

Along with writing content, make sure you are managing your project:

— Closing the project depends on planning, scheduling, and organizing.

–Exercise your strength of working with others.  Don’t hide out to avoid all personal contact with advisors or others who can help you in the process.

— Consider the costs.

You may not be managing a $26-million-dollar budget for a TV show, but consider what it costs you not to make and meet a schedule.

Writing a dissertation is a great time to practice the strength of leadership.  How are you running your show?

I’d love to hear from you

All good wishes,

Nancy

Nancy Whichard, Ph.D., PCC
Your International Dissertation and Academic Career Coach
[email protected]
www.dissertationbootcamp.net
www.usingyourstrengths.com
www.smarttipsforwriters.com

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A little after noon on Sunday as I was driving  to the Regional Post Office, which is open on Sundays, I turned on NPR radio and happened upon Garrison Keillor, telling one of his yarns on “Prairie Home Companion.”

Even though I enjoy Garrison Keillor’s humor, I immediately felt weepy.

On far too many Sunday afternoons a number of years ago, I would leave my home and my family and head to my office where I would work on my dissertation.  Each Sunday during that drive I listened to Garrison Keillor.  While I don’t regret putting in the hard work it took to finish the dissertation, it came at a cost.

While Keillor’s voice triggers some sad memories and brings up conflicts that I had to deal with as a parent and a wife, I’m also struck by the quickness of the unexpected, forgotten connection.  Our past can rush to meet us triggered by the briefest of sounds.  Or a new idea can occur to us at the confluence of a setting, a sound, and a memory.

That possibility of a sudden memory or an insight and, unlikely as it seems, sadness that can turn to hope through reframing reminded me of a client who is attempting to write a novel.  After having worked at it for quite a while, she feels as if she has nothing new to give to the project.  And she’s slipping into a stuck place where nothing stirs her.

To get unstuck, we may have to open ourselves to memories, to the unexpected, to the coming together of past and present.  Or we may have to break our routine and try something different.

I might have generated more ideas for  my dissertation and then have been a more lively and efficient writer had I given myself permission occasionally to stay at home on Sunday afternoons, or  if as a family, we had gone somewhere together on more of those days.

To generate ideas, consider making a break in your routine:
1. Take a walk or go for a jog.
2.   Go to the library or a coffee shop.
3.  If funds permit, take your laptop and check into a hotel.
4.  Trade houses or apartments with someone.
5.  House-sit for a week or two for a friend.
6.  Change the scenery—go to the zoo or to a park.
7.  Awaken your senses– surprise yourself with something different on the radio or buy a new kind of coffee or tea.
8.  Remind yourself of a time when you were bold or brave or when you did something difficult.

Sometimes writing and meeting deadlines need more than perseverance.

All good wishes,

Nancy

Nancy Whichard, Ph.D., PCC
Your International Dissertation Coach and Academic Career Coach

www.nancywhichard.com
www.dissertationbootcamp.net
www.usingyourstrengths.com
www.smarttipsforwriters.com

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Have you ever been hit with an urge to write?
 
I don’t mean the motivation that writers pine for, but the sudden desire that makes you say, “I have to get this down” or “Where is my pen?  My laptop?”

It’s quite a different feeling from gritting your teeth and grinding out text.  Baring down and gritting and grinding certainly have their place.  They can move you from the state of not writing to writing

But the intense urge to write happens when something touches you and you come alive.

One of my incredible coaching clients has just finished her manuscript for a book.

Even though she has a book contract with a good press, she still has had some fallow times over the past year of struggling to give life to her book. 

The latest came not so long ago, during the writing of the conclusion.  She had written ten pages and just could not generate more text.

But one week, she finally was able to write. She wrote 13 pages, and those were the pages which she had been looking for, the ideas which she felt were crucial before she could say “Now the book is finished.”

How did it happen?  She was close to backing off from the conclusion she had wanted since it seemed beyond her.  During this restless, uncertain time, when she had moved away from her computer, she happened to come across a book on a related subject– actually a book taking a critical perch opposed to the one she had taken. And that was it.  Reading the book stirred a response within her, and she was eager to write.

Sometimes we forget what we know to be true—that we need to be awakened and re-awakened. Reading someone else’s analysis, like hearing a political critique or reading a poem, awakens us, stirs us, and makes the engine go. It can make us long to write.

What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
 —Stanley Kunitz

Until next time,

Nancy

Nancy Whichard, Ph.D., PCC
Your International Dissertation Coach and Academic Career Coach

www.nancywhichard.com
www.usingyourstrengths.com

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